纪实剧

1612 曲目
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Lament For A Lost Love 3566/7 12 混音 Karen Street
Haunting, gently lilting tenor recorder melody accompanied by lute, cello & drum. Courtly Renaissance/medieval style
3:56
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Unexpected Encounter 3538/5 16 混音 John DeFaria
Tense synths & guitar figure build with driving drums to exciting climax
2:52
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Collateral Damage 3531/1 12 混音 Dan Skinner | Adam Skinner | Dave James
Eerie drones & textures build with edgy synths, siren call effects & heavy percussion slams to tense ending
3:48
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Desperate Measures 3531/2 12 混音 Dan Skinner | Adam Skinner
Dark atmospheric drone gives way to pulsating synths with sombre motifs, edgy bass & heavy kicks
3:19
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Master Plan 3531/3 10 混音 Dan Skinner | Adam Skinner | Dave James
Menacing distorted synth ostinato & pulsing bass with wavy guitar line, crunchy textures & dark vocal fx. Tension builds
3:24
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Toxic Spread 3531/4 11 混音 Dan Skinner | Adam Skinner | Dave James
Hypnotic synth motif with brooding electronic textures, percussion & unsettling effects
3:27
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Vital Signs 3531/6 9 混音 Dan Skinner | Adam Skinner | Dave James
Dark electronic drones, textures & synth pulses build with filtered percussion groove, urgent piano & glitchy effects
4:10
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Sweet Dreams Liebestraume 3495/8 9 混音 Liszt Arr. George Georgia | David Tobin | Jeff Meegan | Julian Gallant
Ambient remix of 'Liebestraume'. Warm piano soundscape builds to a positive finale with harp & vocals singing "sweet dreams"
2:20
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Morning Sunrises 3495/5 9 混音 Grieg Arr. George Georgia | David Tobin | Jeff Meegan | Julian Gallant
Ambient remix of Grieg's 'Morning Mood' with calm & relaxing piano, warm synths & orchestral strings
2:36
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Lamenting Dido 3495/4 9 混音 Purcell Arr. George Georgia | David Tobin | Jeff Meegan | Julian Gallant
Trip hop remix of 'Dido's Lament' as fluttering classical harp arpeggios & ethereal operatic vocals collide with electronic beats
2:53
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A Disturbed Individual 3456/4 12 混音 Luke Richards
Sinister pulsating bass with gritty electronics, distorted synths & rhythmic percussion elements
2:49
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Alone In The Night 3456/7 13 混音 Luke Richards
Tense, insistent electronic pulsing soundscape with piano & atmospheric bowed instruments. Develops
2:59
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Confession Tapes 3456/5 14 混音 Luke Richards
Tense electronic atmosphere with ticking clocks, piano & dramatic falling synths
2:53
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Pulling The Thread 3456/1 13 混音 Luke Richards
Fast, driving mallets & pitch bending synth build intensity with distorted sound design, piano & driving bass
2:40
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Sleeper Cell 3456/6 10 混音 Luke Richards
Deep sinister electronic underscore with an aggressive percussive pulse & tense synths
3:39
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Something Felt Off About Him 3456/3 14 混音 Luke Richards
Eerie synth arpeggios with distant creeping piano slowly builds tension with distorted guitars & synths
2:15
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The Monster Within 3456/2 12 混音 Luke Richards
Distorted pitch bending synths with deep piano & bass. Builds with intensity & drama
3:23
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Impending Trouble 3447/7 7 混音 Terry Devine-King
Tense, stealthy pizzicato violins with mysterious strings over an uneasy ambient bed
2:14
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Jocelyn Bell Burnell 3351/3 7 混音 Jessica Dannheisser
Beautiful full orchestra with sweeping strings, fluid piano & harp arpeggios, solo cello & celestial percussion
2:16
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Malala Yousafzai 3351/5 7 混音 Jessica Dannheisser
Driving & pulsing full orchestra with rousing solo woodwinds & piano. Builds to quiet middle section & single chord ending
2:52
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Night Rolling 3346/2 13 混音 Gavin Harrison
Tense & menacing electronica with pounding industrial drums
2:24
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Ready For The Count 3346/3 13 混音 Gavin Harrison
Slow mysterious electronica with hypnotic layers of arpeggiated & sequenced synths over steady beats
2:26
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Destiny Knocking 3330/2 9 混音 Igor Dvorkin | Duncan Pittock | Ellie Kidd
Sparse yet tense chamber orchestra builds anticipation over hypnotic tuned percussion
1:46
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Pale Shadow 3330/4 6 混音 Igor Dvorkin | Duncan Pittock | Ellie Kidd
Sparse, slow waltz with quizzical chamber strings
1:59
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Timing 3330/3 12 混音 Igor Dvorkin | Duncan Pittock | Ellie Kidd
Quirky chamber orchestra with pizzicato strings, kalimba & light percussive groove. Decisions being made
2:11
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